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The Direct Flash Guide by Zach&Grace

The Direct Flash Guide by Zach&Grace

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＋ LEARN OUR SIMPLE APPROACH TO FLASH

Direct flash doesn’t need to feel complicated. We break the technique down into a few core variables:

Your starting settings, how we balance ambient light with flash, why we use TTL, and how we position the light on and off camera.

The result; You can work quickly and confidently on a real wedding day.

＋ SEE THE SETTINGS BEHIND THE IMAGES

Throughout the guide you'll see real wedding photographs paired with the actual aperture, shutter speed, ISO, focal length and flash setup used to create them, helping you understand how the technique changes from one scene to the next.

＋ ACHIEVE THE ICONIC EDITORIAL STYLE

Learn how to create bold, editorial style imagery; well lit, defined subjects with strong separation while still preserving the colour, depth and atmosphere of the environment. That balance is the secret that gives your Direct Flash imagery its clean, fashion-led, editorial feel.

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Finally Master The Direct Flash Look.

We created The Direct Flash Guide for wedding photographers who want to create the bold, clean, editorial flash imagery they love, without overcomplicating the technique.

An open book or magazine spread titled "Direct Flash" shown against a light gray background. The pages are predominantly black with white text and a small inset photo on the right page, while the left page features a black-and-white photograph and the title in large white font.

Inside the 85 page guide, we break down the exact approach we use at real weddings, including our starting settings, how we balance flash with ambient light, TTL, on-camera and handheld flash, portraits, groups, dance floors and troubleshooting, all supported by real images combined iwth our exact shooting settings.

Less guesswork, fewer variables, better flash photographs.

Purchase The Guide

A Selection Of Our Own Real Wedding Direct Flash Work

Black and white photograph of a couple sharing a large tiered wedding cake with a knife, with the woman in a satin sleeveless gown leaning in to take a bite.
A man in a white shirt and black trousers and a woman in a silver strapless dress clinking glasses in a dimly lit lounge setting with a lamp between them.
A couple embracing at a nighttime event. The woman wears a strapless cream-colored dress with a cutout bodice and a ruched skirt, while the man wears a white dress shirt and black bow tie.
A woman in a strapless lace wedding gown holding a champagne bottle in a dark, crowded indoor setting. The photo is in black and white.
Black and white photo of a couple dancing on a dance floor.
A bride in an off-the-shoulder white gown and a groom in a white shirt and black bow tie cut a white frosted wedding cake together in a warmly lit indoor setting.
A man wearing a white double-breasted tuxedo jacket with gold buttons, a white shirt, and a black bow tie sits on a patterned sofa in an elegant room with green striped wallpaper and a window.
A black and white photograph of a smiling couple walking hand-in-hand at night in front of a grand illuminated building. The woman wears an off-the-shoulder white mini dress, and the man wears a dark velvet jacket and white shirt.
A black and white photograph of a couple walking arm-in-arm at night in front of a grand building. The woman is wearing a light-colored, tailored suit, and the man is in a dark suit.
A woman in a voluminous white off-the-shoulder wedding gown sits on a grand staircase in a warmly lit interior.
A bride in a strapless white wedding dress with a white feather boa and holding a bouquet of baby's breath, walking down a staircase next to a groom in a black suit.
A man in a white dress shirt, black bow tie, and suspenders dancing and laughing at a night event, holding a drink.

What's Covered in The Direct Flash Guide

Chapter 1 // Introduction to Direct Flash

What direct flash is, the look we’re aiming for, when we use it, and how we keep the technique simple on a wedding day.

・・・

Chapter 2 // Creating the Look

How separation, proximity, focal length and central framing work together to create the clean, editorial direct-flash aesthetic.

・・・

Chapter 3 // Essential Kit

The Camera, Lenses and Flashes we use, plus our preferred flash setup and optional modifiers.

・・・

Chapter 4 // The Settings

Our starting formula for shutter speed, aperture, ISO and TTL, and the logic behind each setting.

・・・

Chapter 5 // Balancing Ambient & Flash

How to preserve the atmosphere of the room while using flash to create a bright, defined subject with strong separation.

・・・

Chapter 6 // Why We Use TTL

How TTL helps us work quickly at weddings, when we use flash compensation, and why we prioritise responsiveness over perfect manual control.

・・・

Chapter 7 // Off-Camera Flash

Our go-to handheld position, how flash angle changes the look, how we adjust distance, and how we avoid harsh shadows.

・・・

Chapter 8 // On-Camera vs. Handheld Flash

Where each approach works best, and why handheld flash gives us more control without adding complexity.

・・・

Chapter 9 // Photographing People

How we adapt direct flash to different couples, use movement and walking, and keep portraits natural, confident and flattering.

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Chapter 10 // Direct Flash for Group Photos

Simple ways to photograph small groups quickly while keeping focus, shadows and flash position under control.

・・・

Chapter 11 // Shooting the Dance Floor

How we get into the action, work around foreground guests, control the light and create energetic party images without losing flattering expressions.

・・・

Chapter 12 // Troubleshooting Cheatsheet

Quick fixes for dark backgrounds, harsh flash, flat images, ugly shadows, glare, underpowered flash and slow recycle times.

・・・

Real wedding images are included throughout, with camera settings, flash setup and practical tips to show exactly how the technique translates into different situations.

The Direct Flash Guide is a digital eBook delivered as a PDF File.
Get The Direct Flash guide
Black and white portrait of Zach & Grace with text about featured work on a black background.

Hi, We're Zach & Grace

Editorial Wedding Photographers & Coaches

From the end of Runway Shows to the end of Aisles, our career has taken us from Photographing for top publications like Vogue at Fashion Weeks around the world, to capturing incredible weddings and private events and working at some of the most exclusive venues in the world.

Our own six-figure wedding photography business would never have been possible without our modern, editorial style, and now we’re sharing our exact look with the world.

Through our coaching, courses and products, we’ve helped Wedding Photographers and other wedding creatives finally feel confident in their businesses, unlock their creativity and see a level of success that they could have only dreamed of before.

We believe in giving creatives the tools they need to find financial success, and finally get their talents seen and recognised. The lessons we teach and the tools we share are what we wish we’d had access to when we started our journey.